On Instagram Live, he briefly discussed pushing back his single, even as iHeartRadio and blogs began to post it. Stare into the abyss, etc., etc.ДЄfter the song had been previewed, Schoolboy Q delayed the release of вЂњChopstixвЂќ last week, following the tragic death of Nipsey Hussle. According to Travis Scott, вЂњher legsвЂќ are вЂњchopsticks, chopsticks, chopsticks.вЂќ Schoolboy Q, too, likes вЂњher legs up like chopsticks,вЂќ but makes the distinction that he also likes to beat and вЂњstab at it.вЂќ The metaphor is confused by the fact that youвЂ™re not supposed to stab with chopsticks, but a deeper dive seems unnecessary. The metaphor at the center of the DJ Dahi-produced вЂњChopstixвЂќ is simple. Chopsticks, I think we can all agree, live in a gray area, which Schoolboy Q and Travis Scott explore on their latest song. Depending on the situation, knives are arousing (dangerous). For ScHoolboy Q, growth means putting his past in his rearview.Exploring the inherent sexiness of utensils is an intriguing exercising - and one I hadnвЂ™t considered before today.

He recounts aВ brush with death before relishing his rap career and re-affirming his role as the young Big Homie (вЂњ The godfather of this street shit that gave yвЂ™all truth/вЂ‹From Pac, Snoop, Kurupt, Daz, bitch, IвЂ™m dГ©jГ vuвЂќ). ItвЂ™s on songs like this CrasH and the albumвЂ™s closer, Attention, where QвЂ™s growth is most apparent, as he wonders what life would be like for his daughter вЂ“ the centre of his world вЂ“ if he stayed in the street and continued banginвЂ™. QВ continues to do the unexpected on CrasH, enlisting Bo1-1da to flip Royce Da 5вЂ™ 9вЂќвЂ™s DJ Premier-produced underground hit Boom into aВ backdrop for him to talk about how his lifeвЂ™s changed and embrace the role of hip-hop elder statesman (вЂњ You buy aВ chain, but wonвЂ™t buy no land /вЂ‹That hashtag should say, вЂ‹ вЂDesperateвЂ™ /вЂ‹IвЂ™m kickinвЂ™ game for these young niggasвЂќ). On Drunk we get QВ pivoting emotionally from sombre in his first verse (вЂњ Why grandma couldnвЂ™t live? Gone way too fast (ay)/ Killed my cousin in the field, gone way too fast (ay!) /вЂ‹got aВ liver filled with yack /вЂ‹weed in the bagвЂќ) to seductive in his second, drunkenly flirting with aВ woman and describing his sex game. On the aforementioned Numb Numb Juice, he switches up his flow and intonation multiple times on aВ song that clocks under two minutes, making for aВ frenetic and transfixing performance. When QВ is unpredictable heвЂ™s in his element. CHopstix featuring Travis Scott and the Ty Dolla $ign-driven Lies fall flat, and they feel like formulaic attempts at mainstream appeal. But at its worst, it sounds like QВ is on autopilot. He brags about his street bona fides but tracks like Numb Numb Juice and Tales are tempered by grim lamentations about the dark side of the game. That apparently happy and carefree aspect of QВ is less evident on CrasH Talk.ДЄt its best, the record reminds us that QВ can be aВ master of nuance. WeвЂ™ve seen glimpses of his upgraded lifestyle of cars and big houses befitting aВ rapper with multiple platinum hits and weвЂ™ve also seen him on the golf course engaging his favourite new pastime, shirt tucked into his pants, fully embracing the wealthy, thirty-year-old dad energy.

His persona on the вЂ‹ вЂgram is that of aВ jokester and doting father who is quick to playfully roast his daughter and close friends. In the three years since the release of his psychedelic street rap project, Blank Face LP, weвЂ™ve kept up with QВ through social media. But he has to perform the difficult balancing act of showing personal growth while grounding his lyrics in his formative gangbanging experiences and maintaining his street credibility. Unlike his gangsta rap OGs, music is still ScHoolboy QвЂ™s bread and butter. And with CrasH Talk, his fifth studio album, heвЂ™s at aВ crossroads. Raised in South Central Los Angeles, ScHoolboy QВ is the millennial successor these West Coast icons. As theyвЂ™ve got closer to the centre of the mainstream consciousness, theyвЂ™ve moved further away from making the kind of music that earned them fame in the first place, evolving into multifaceted вЂ“ and decidedly innocuous вЂ“ entertainment brands. For in a field nearly topped-off with top 10 of the decade, top 5 dead or alive and, dare they say it, G.O.A.T., hip hop artists, it is not unusual for highly talented artists to.

Dre and Snoop Dogg become commercially viable but much less threatening figures in pop culture. It would be easy and perhaps somewhat convenient to write artist ScHoolboy Q off as a mid-tier contender in the rap game. Thirty years after gangsta rap exploded with the success of N.W.A, weвЂ™ve seen once menacing stars like Ice Cube, Dr.

Schoolboy q chopstix review